A History of Graphic Design: Third Edition
| Format | Hardback |
| Language | English |
| Copyright | 1998 |
Collection
| Publisher | John Wiley & Sons, Inc. |
| Copyright Holder | John Wiley & Sons, Inc. |
| Copyright Holder (Text) | Philip B. Meggs |
| Cover/Jacket Design by | Philip B. Meggs |
| Printed and Bound by | R. R. Donnelley & Sons |
| Designed by | Philip B. Meggs, Barbara Spies, Mike Suh |
| Format | Hardback |
| Language | English |
| Location | New York, Chichester, Weinheim, Brisbane, Singapore, Toronto |
| Copyright | 1998 |
| Copyright | 1983-19 |
| Pages / Font | 510 pages / 8.5/12 Neue Helvetica 55; 7.5/12 Neue Helvetica 75 |
| ISBN 10 | 0-471-29298-6 |
| Barcode | 9780471291985 |
| EAN 5 | 90000 |
| Library of Congress Classification Number | Z246.M43 1998 |
| Dewey Decimal Classification Number | 686.2'2'09—DC21 |
| Library of Congress Catalog Card Number | 97-38055 |
| Printer's Key | 10 9 8 |
| Chapters | Preface
Preface to the first edition
Acknowledgments
1 The Prologue to Graphic Design:
The visual message from prehistory through the medieval era
1 The Invention of Writing
2 The Asian Contribution
3 Alphabets
4 Illuminated Manuscripts
2 A Graphic Renaissance:
The origins of European typography and design for printing
5 Printing Comes to Europe
6 The German Illustrated Book
7 Renaissance Graphic Design
8 An Epoch of Typographic Genius
3 The Industrial Revolution:
The Impact of industrial technology upon visual communications
9 Typography for an Industrial Age
10 Photography, the New Communications Tool
11 Popular Graphics of the Victorian Era
12 The Arts and Crafts Movement
13 Ukiyo-e and Art Nouveau
4 The Modernist Era:
Graphic design in the first half of the twentieth century
14 The Genesis of Twentieth-Century Design
15 The Influence of Modern Art
16 Pictorial Modernism
17 A New Language of Form
18 The Bauhaus and the New Typography
19 The Modern Movement in America
5 The Age of Information:
Graphic design in the global village
20 The International Typographic Style
21 The New York School
22 Corporate Identity and Visual Systems
23 The Conceptual Image
24 National Visions within a Global Dialogue
25 Postmodern Design
26 The Digital Revolution
Epilogue
Selected Bibliography
Picture Credits
Index Preface
Preface to the first edition
Acknowledgments
1 The Prologue to Graphic Design:
The visual message from prehistory through the medieval era
1 The Invention of Writing
2 The Asian Contribution
3 Alphabets
4 Illuminated Manuscripts
2 A Graphic Renaissance:
The origins of European typography and design for printing
5 Printing Comes to Europe
6 The German Illustrated Book
7 Renaissance Graphic Design
8 An Epoch of Typographic Genius
3 The Industrial Revolution:
The Impact of industrial technology upon visual communications
9 Typography for an Industrial Age
10 Photography, the New Communications Tool
11 Popular Graphics of the Victorian Era
12 The Arts and Crafts Movement
13 Ukiyo-e and Art Nouveau
4 The Modernist Era:
Graphic design in the first half of the twentieth century
14 The Genesis of Twentieth-Century Design
15 The Influence of Modern Art
16 Pictorial Modernism
17 A New Language of Form
18 The Bauhaus and the New Typography
19 The Modern Movement in America
5 The Age of Information:
Graphic design in the global village
20 The International Typographic Style
21 The New York School
22 Corporate Identity and Visual Systems
23 The Conceptual Image
24 National Visions within a Global Dialogue
25 Postmodern Design
26 The Digital Revolution
Epilogue
Selected Bibliography
Picture Credits
Index Show all ▾ |
| Notes | Printed in the United States of America Paper: 70# Sterling Web Gloss Prepress: C. R. Waldman |
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