The Testimonial Uncanny: Indigenous Storytelling, Knowledge, and Reparative Practices
| Format | Hardback |
| Language | English |
| Copyright | 2004 |
| Publisher | State University of New York Press |
| Cover Art by | Marianne Nicolson |
| Cover photo | Trevor Mills, Henri Robideau |
| Production | Jenn Bennett |
| Marketing/Advertising | Anne M. Valentine |
| Copyright Holder | State University of New York |
| Format | Hardback |
| Language | English |
| Location | Albany, New York |
| Copyright | 2004 |
| Pages / Font | 338 pages |
| ISBN 13 | 978-1-4384-5361-3 |
| Library of Congress Classification Number | 2013049819 |
| Library of Congress Call Number | PN491.4.E43 2014 |
| Dewey Decimal Classification Number | 809'.933897—dc23 |
| Printer's Key | 10 9 8 7 6 5 4 3 2 1 |
| Barcode | 9 781438 453613 |
| Barcode | 9781438453613 |
| EAN 5 | 9000> |
| Chapters | List of Illustrations - vii
Preface - ix
Acknowledgments - xiii
Introduction: Indigenous Epistemologies and the Testimonial Uncanny - 1
Part I: "A Witnessing Love": Testimony in Indigenous Storeyelling
1. On the Threshold between Silence and Storytelling - 39
2. Assembling Humanities in the Text: On Weeping, Hospitality, and Homecoming - 79
3. The Accidental Witness: The Wilkomirski Affair and the Spiritual Uncanny in Eden Robinson's Monkey Beach - 109
Part II: For a Society Against the Racial Invagination of Power
4. On Not Being an Object of Violence: The Pickton Trial and Rebecca Belmore's Vigil - 133
5. Lessons in Love, Loss, and Recovery: and Lee Maracle's Ravensong - 156
6. Sacred Justice and an Ethics of Love in Marie Clements's The Unnatural and Accidental Women - 183
Part III: Ecologies of Kinship: Or, Lessons from the Land
7. The Storyteller, the Witness, and the Novel: Louise Erdrich's Tracks - 213
8. (un)Housing Aboriginality in the Virtual Museum: Civilization.ca and Reservation X - 230
9. Ecologies of Attachment: "Tree Wombs," Sacred Bones, and Resistance to Postindustrial Dismemberment in Patricia Grace's Potiki and Baby No-Eyes - 254
Conclusion: The Indigenous Uncanny as Reparative Episteme - 289
Notes - 301
Works Cited - 315
Index - 329 List of Illustrations - vii
Preface - ix
Acknowledgments - xiii
Introduction: Indigenous Epistemologies and the Testimonial Uncanny - 1
Part I: "A Witnessing Love": Testimony in Indigenous Storeyelling
1. On the Threshold between Silence and Storytelling - 39
2. Assembling Humanities in the Text: On Weeping, Hospitality, and Homecoming - 79
3. The Accidental Witness: The Wilkomirski Affair and the Spiritual Uncanny in Eden Robinson's Monkey Beach - 109
Part II: For a Society Against the Racial Invagination of Power
4. On Not Being an Object of Violence: The Pickton Trial and Rebecca Belmore's Vigil - 133
5. Lessons in Love, Loss, and Recovery: and Lee Maracle's Ravensong - 156
6. Sacred Justice and an Ethics of Love in Marie Clements's The Unnatural and Accidental Women - 183
Part III: Ecologies of Kinship: Or, Lessons from the Land
7. The Storyteller, the Witness, and the Novel: Louise Erdrich's Tracks - 213
8. (un)Housing Aboriginality in the Virtual Museum: Civilization.ca and Reservation X - 230
9. Ecologies of Attachment: "Tree Wombs," Sacred Bones, and Resistance to Postindustrial Dismemberment in Patricia Grace's Potiki and Baby No-Eyes - 254
Conclusion: The Indigenous Uncanny as Reparative Episteme - 289
Notes - 301
Works Cited - 315
Index - 329 Show all ▾ |
| Notes | Cover: "Marianne Nicolson The House of The Ghosts, 2008 site-specific light projection with banner Commissioned by the Vancouver Art Gallery for NEXT: A Series of artist projects from the Pacific Rim, October 4, 2008 to January 11, 2009 Photo: Trevor Mills and Henri Robideau, Vancouver Art Gallery" "Printed in the United States of America" |
