| Series | Teach Yourself |
| First Published by | Hodder Education, The McGraw-Hill Companies, Inc. |
| Copyright Holder | Stephen May (2) |
| Typeset by | MPS Limited |
| Format | Paperback |
| Language | English |
| This Edition Published | 2010 |
| Copyright | 2008 |
| Copyright | 2010 |
| Pages / Font | 291 pages |
| ISBN 13 | 978-1-444-10318-2 |
| Barcode | 9 781444 103182 |
| EAN 5 | 00999 |
| Impression/Printing No. | 10 9 8 7 6 5 4 3 2 1 |
| Price | £9.99 |
| Chapters | Meet the author
Only got a minute?
Only got five minutes?
Only got ten minutes?
1 Why write?
Writing is easy
Writing is natural
Creative writing is good for you
Finding time to write
A word about technology
Professional tip from John Siddique
2 Ideas and inspirations
Capturing ideas
Generating your own ideas
Using what only you know
Using magazines and newspapers
Professional tip from David Armstrong
3 The feature article
What is an article?
Choosing a subject
Your first article - a step-by-step guide
Approaching an editor
Photographs
Payment
Professional tip from Anthony Clavane
4 The short story
Some common mistakes
The ingredients
Finding short story ideas
Finding believable characters
A convincing background
A good opening
Shape
A satisfying ending
Where to send your story
Professional tip from Jo Verity
5 Poetry
Finding your own voice
Haiku
Sonnets
Free verse
Writing poetry fro yourself
Reading poetry
Unlikely points of view
Curses
When is a poem finished?
Sending your work out
Professional tip from Jacob Polley
6 Creative non-fiction
What is creative non-fiction?
Finding a subject
Structure
Flexibility
Beginning your research
Organizing your material
Keeping it legal
Writing a proposal
Professional tip from Ian Merchant
7 Travel writing
Stand and stare
Putting personality into the picture
Professional tip from Christopher George
8 Blogging
The magic of blogging
How to stand out from the crowd
Some health warnings
Professional tip from Caroline Smailes
9 Writing for children
The rarest kind of 'best'
What is the real thing?
Deciding on an age group
Losing past loves
Originality
Giving power to the weak
Revel in naughtiness
The problem of problems
Illustrations
Poetry for children
Sharing stories
Professional tip from Lee Weatherly
10 Starting to write a novel
The challenge
First steps
The theme
Viewpoints
Whose story is it?
Structure
Setting
Teach something
Story, story, story
Don't get it right, get it written
Professional tip from Jeremy Sheldon
11 Setting
The importance of place
Examples of a visual style
Professional tip from Monique Roffey
12 Characterization
Creating believable characters
Stereotypes and archetypes
Choosing names
Describing your characters
Possessions
Motive and desire
Professional tip from Mavis Cheek
13 Plotting
The classic plots
Planning
Suspense
Where did I put those keys?
Writer as sadist
Subplots
Endings
Professional tip from Christopher Wakling
14 Dialogue
Life versus art
Exposition
He said, she said
Mastering voices
Context
Layout
Professional tip from Eleanor Moran
15 The difficult business of second drafts
The craft of revision
When not to murder your babies
Working preferences
Points for revision
The art of good style
The enemies of good style
Professional tip from Monique Roffey
16 Writing stage plays
The purpose of theatre
Stage characters
The inciting incident
Status
Conflict
Tension
Dialogue versus action
Structure
How to market your play
Adaptation
Professional tip from Willy Russell
17 Writing radio plays
The BBC
Liberation
The vision thing
Direct address
Including sound
Where to send your radio script
Professional tip from Mark Illis
18 Screenwriting
Why write for television?
Basic formats of television drama
Where to start
The outline
Layout
A calling card script
Writing collaboratively
Writing for film
Star talent
The short film
Professional tip from Jenny Lecoat
19 Agents and publishers
How not to get published
Why do you need an agent?
How do you get an agent?
Publishers
Small presses
Coping with rejection
Self-publishing
Professional tip from Camilla Hornby
20 Moving on
Creative writing classes
The Arvon Foundation
Literary festivals and conferences
Writers' circles
The creative writing MA
Literary consultancies
Mentoring
Taking it further
Bibliography
Index Meet the author
Only got a minute?
Only got five minutes?
Only got ten minutes?
1 Why write?
Writing is easy
Writing is natural
Creative writing is good for you
Finding time to write
A word about technology
Professional tip from John Siddique
2 Ideas and inspirations
Capturing ideas
Generating your own ideas
Using what only you know
Using magazines and newspapers
Professional tip from David Armstrong
3 The feature article
What is an article?
Choosing a subject
Your first article - a step-by-step guide
Approaching an editor
Photographs
Payment
Professional tip from Anthony Clavane
4 The short story
Some common mistakes
The ingredients
Finding short story ideas
Finding believable characters
A convincing background
A good opening
Shape
A satisfying ending
Where to send your story
Professional tip from Jo Verity
5 Poetry
Finding your own voice
Haiku
Sonnets
Free verse
Writing poetry fro yourself
Reading poetry
Unlikely points of view
Curses
When is a poem finished?
Sending your work out
Professional tip from Jacob Polley
6 Creative non-fiction
What is creative non-fiction?
Finding a subject
Structure
Flexibility
Beginning your research
Organizing your material
Keeping it legal
Writing a proposal
Professional tip from Ian Merchant
7 Travel writing
Stand and stare
Putting personality into the picture
Professional tip from Christopher George
8 Blogging
The magic of blogging
How to stand out from the crowd
Some health warnings
Professional tip from Caroline Smailes
9 Writing for children
The rarest kind of 'best'
What is the real thing?
Deciding on an age group
Losing past loves
Originality
Giving power to the weak
Revel in naughtiness
The problem of problems
Illustrations
Poetry for children
Sharing stories
Professional tip from Lee Weatherly
10 Starting to write a novel
The challenge
First steps
The theme
Viewpoints
Whose story is it?
Structure
Setting
Teach something
Story, story, story
Don't get it right, get it written
Professional tip from Jeremy Sheldon
11 Setting
The importance of place
Examples of a visual style
Professional tip from Monique Roffey
12 Characterization
Creating believable characters
Stereotypes and archetypes
Choosing names
Describing your characters
Possessions
Motive and desire
Professional tip from Mavis Cheek
13 Plotting
The classic plots
Planning
Suspense
Where did I put those keys?
Writer as sadist
Subplots
Endings
Professional tip from Christopher Wakling
14 Dialogue
Life versus art
Exposition
He said, she said
Mastering voices
Context
Layout
Professional tip from Eleanor Moran
15 The difficult business of second drafts
The craft of revision
When not to murder your babies
Working preferences
Points for revision
The art of good style
The enemies of good style
Professional tip from Monique Roffey
16 Writing stage plays
The purpose of theatre
Stage characters
The inciting incident
Status
Conflict
Tension
Dialogue versus action
Structure
How to market your play
Adaptation
Professional tip from Willy Russell
17 Writing radio plays
The BBC
Liberation
The vision thing
Direct address
Including sound
Where to send your radio script
Professional tip from Mark Illis
18 Screenwriting
Why write for television?
Basic formats of television drama
Where to start
The outline
Layout
A calling card script
Writing collaboratively
Writing for film
Star talent
The short film
Professional tip from Jenny Lecoat
19 Agents and publishers
How not to get published
Why do you need an agent?
How do you get an agent?
Publishers
Small presses
Coping with rejection
Self-publishing
Professional tip from Camilla Hornby
20 Moving on
Creative writing classes
The Arvon Foundation
Literary festivals and conferences
Writers' circles
The creative writing MA
Literary consultancies
Mentoring
Taking it further
Bibliography
Index Show all ▾ |
| Notes | First published in UK 2008 by Hodder Education First published in US 2010 by The MacGraw-Hill Companies, Inc. Previously published as Teach Yourself Creative Writing Printed in Great Britain for Hodder Education |