Manic Pop Thrill
| Publisher | Ecco |
| Designed by | The Typeworks |
| Distributed by/Director of Distribution | W. W. Norton & Company, Inc. |
| Cover/Jacket Design by | Vaughan Oliver and Chris Bigg at v23 |
| Photography | Chris Gorman |
| Author | Rachel Felder |
| Format | Trade Paperback |
| Language | English |
| Location | United States of America |
| Copyright | 1993 |
| Pages / Font | 180 pages / Cochin |
| ISBN 10 | 0-88001-324-9 |
| ISBN 13 | 9780880013246 |
| Barcode | 9 780880 013246 |
| Chapters | ONE: The Alternative Music Industry / 1 An introduction to what alternative music is and how the business that surrounds it works TWO: Miasma Bands / 17 My Bloody Valentine, its cloudy whir, and the imitators that followed in its wake THREE: British Guitar Bands / 37 The Smiths, the Fall, the Wedding Present, Kitchens of Distinction, and other guitar janglers FOUR: American Guitar Bands / 59 Dinosaur Jr., Sonic Youth, Nirvana, grunge, and the music of the disenfranchised FIVE: Grebo Bands / 95 Mega City Four, Ned's Atomic Dustbin, the Wonder Stuff, and other grimy Brits SIX: Feedback Bands / 115 The Jesus and Mary Chain and its tornedo sound SEVEN: Art Bands / 129 The Cocteau Twins and the gauzy side of alternative EIGHT: Industrial, Goth, and Other Subgenres / 143 Ministry, Nine Inch Nails, the Pixies, and other smaller alternative movements NINE: Conclusion / 157 Some final thoughts on the alternative sound and impact |
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