| Periodical Title | Keyboard |
| Publisher | GPI Publications, Jim Crockett |
| Copyright Holder | GPI Publications |
| Editor | Dominic Milano |
| Associate Editor | Jim Aikin |
| Cover photo | Jon Sievert |
| About/Subject | Michael MacNeil, Simple Minds, Synthesizers |
| Format | Magazine |
| Language | English |
| Cover Date | 1986-04 |
| Copyright | 1986 |
| ISSN | 0730-0158 |
| Barcode | 0 74470 66788 |
| EAN 2 | 04 |
| Price | $2.50 US |
| Price | $3.40 Canada |
| Price | £2.00 UK |
| Volume Number | 12 |
| Series Number | 4 |
| Issue Number | 120 |
| Chapters | Cover
78 // Michael MacNeil of Simple Minds
They’re hot, they’re on Saturday Night Live, and their keyboard sounds pop at the top of the charts. Yet Mick MacNeil still can't find a decent bagpipe sample.
Soundpage™
56 // Music Of Sorabji
Michael Habermann performs amazing piano music by a neglected master of contemporary piano composition.
Features
34 // New Age Piano Transcription: "High Plains"
Rock veteran Philip Aaberg explores the meditative frontiers in his first solo piano release.
38 // Jean-Luc Ponty
A ground-breaking violinist finds new dimensions in the world of electronic keyboards.
48 // A Visit To New England Digital
A close-up examination of the Synclavier and the design team that put it together.
64 // Trade Show Report
Exciting new products an exhausted observers convene at the Winter NAMM Show.
Profile
14 // People: Brad Fiedel’s golden soundtrack touch on The Terminator and Fright Night.
16 // People: Hit songwriter Holly Knight proves her keyboard mettle on 22B3.
18 // Keyboard News: Trade in your synth for a piano.
Equipment
94 // On Synthesizers
The significance of Casio’s CZ series in linking the analog and digital worlds, as outlined by Bob Moog.
96 // The Piano Technician
Advice from Larry Fine on what to look for in a piano warranty.
97 // In The Studio
Bobby Nathan takes a ride on the output buses.
98 // Systems & Applications
Steve De Furia puts a personal stamp on digital envelope generators.
100 // Mind Over MIDI
Jim Cooper emerges from the NAMM swamp withthoughts on MIDI-controlled audio mixers and other exotica.
102 // Digital Sampling
Terry Fryer on aliasing and how to avoid it.
104 // Computers For Keyboardists
A simple program from Steve Leonard puts you, your Apple IIe, and your MIDI interface card in touch.
106 // Software For Musicians
Steve De Furia explains why the essence of software design is within your grasp.
110 // Keyboard Report
New software from Sound Designer expands the sampling possibilities of the Sequential Prophet 2000.
115 // Keyboard Report
Through the airwaves with the Nady MIDI Wireless link.
116 // Keyboard Report
Get more from your DX7 with the Grey Matter Response E! upgrade.
120 // Keyboard Report
A potpourri of MIDI software programs and hardware devices from Dr. T, Triangle Audio, Syntech, and Voyce Music.
124 // Keyboard Report
A synthesizer heavyweight enters the software arena: Roland's MPS sequencing/notation program.
Private Lessons
24 // Richie Beirach
Pointers on pivoting polytonal chords over pedal tones.
27 // David Burge
Tactile gratification and tantalizing images in Debussy’s Preludes, Book 1.
28 // Dave Stewart
Finding the right patch for your keyboard part takes sound thinking.
30 // Jeff Pressing
The concepts of gesture and texture can free you from the bonds of note-to-note thinking.
32 // Ruth Slenczynska
A sensitive approach to animating Schumann's "Wichtige Begebenheit," from Kinderszenen.
Departments
6 // Letters
10 // Guest Editorial
12 // Questions
20 // In Review
130 // Spec Sheet
135 // Not Spec Sheet
140 // Advertiser Index
142 // Classified Ads Cover
78 // Michael MacNeil of Simple Minds
They’re hot, they’re on Saturday Night Live, and their keyboard sounds pop at the top of the charts. Yet Mick MacNeil still can't find a decent bagpipe sample.
Soundpage™
56 // Music Of Sorabji
Michael Habermann performs amazing piano music by a neglected master of contemporary piano composition.
Features
34 // New Age Piano Transcription: "High Plains"
Rock veteran Philip Aaberg explores the meditative frontiers in his first solo piano release.
38 // Jean-Luc Ponty
A ground-breaking violinist finds new dimensions in the world of electronic keyboards.
48 // A Visit To New England Digital
A close-up examination of the Synclavier and the design team that put it together.
64 // Trade Show Report
Exciting new products an exhausted observers convene at the Winter NAMM Show.
Profile
14 // People: Brad Fiedel’s golden soundtrack touch on The Terminator and Fright Night.
16 // People: Hit songwriter Holly Knight proves her keyboard mettle on 22B3.
18 // Keyboard News: Trade in your synth for a piano.
Equipment
94 // On Synthesizers
The significance of Casio’s CZ series in linking the analog and digital worlds, as outlined by Bob Moog.
96 // The Piano Technician
Advice from Larry Fine on what to look for in a piano warranty.
97 // In The Studio
Bobby Nathan takes a ride on the output buses.
98 // Systems & Applications
Steve De Furia puts a personal stamp on digital envelope generators.
100 // Mind Over MIDI
Jim Cooper emerges from the NAMM swamp withthoughts on MIDI-controlled audio mixers and other exotica.
102 // Digital Sampling
Terry Fryer on aliasing and how to avoid it.
104 // Computers For Keyboardists
A simple program from Steve Leonard puts you, your Apple IIe, and your MIDI interface card in touch.
106 // Software For Musicians
Steve De Furia explains why the essence of software design is within your grasp.
110 // Keyboard Report
New software from Sound Designer expands the sampling possibilities of the Sequential Prophet 2000.
115 // Keyboard Report
Through the airwaves with the Nady MIDI Wireless link.
116 // Keyboard Report
Get more from your DX7 with the Grey Matter Response E! upgrade.
120 // Keyboard Report
A potpourri of MIDI software programs and hardware devices from Dr. T, Triangle Audio, Syntech, and Voyce Music.
124 // Keyboard Report
A synthesizer heavyweight enters the software arena: Roland's MPS sequencing/notation program.
Private Lessons
24 // Richie Beirach
Pointers on pivoting polytonal chords over pedal tones.
27 // David Burge
Tactile gratification and tantalizing images in Debussy’s Preludes, Book 1.
28 // Dave Stewart
Finding the right patch for your keyboard part takes sound thinking.
30 // Jeff Pressing
The concepts of gesture and texture can free you from the bonds of note-to-note thinking.
32 // Ruth Slenczynska
A sensitive approach to animating Schumann's "Wichtige Begebenheit," from Kinderszenen.
Departments
6 // Letters
10 // Guest Editorial
12 // Questions
20 // In Review
130 // Spec Sheet
135 // Not Spec Sheet
140 // Advertiser Index
142 // Classified Ads Show all ▾ |
| Notes | Cover: Michael MacNeil of Simple Minds |
Added by sharpmath


