Good Vibrations: A History of Record Production

Good Vibrations: A History of Record Production

Copyright HolderMark Cunningham
Foreword byBrian Eno
PublisherCastle Communications Plc
Designed byDavid Houghton
EditorPenny Braybrooke
Printed byStaples Printers Rochester Limited
About/SubjectLes Paul, Tom Dowd (2), Cream, Phil Ramone, Phil Spector, John Lennon, Motown Records, Brian Wilson, Joe Meek, Decca Records, Gus Dudgeon, Mike Vernon, John Entwistle, The Spencer Davis Group, The Rolling Stones, Tony Visconti, Tony Clarke (2), The Moody Blues, Manfred Mann, The Beatles, Fleetwood Mac, George Martin, Chris Thomas, Jeff Lynne, Genesis, Yes, Focus (3), Horslips, Mike Oldfield, Pink Floyd, Alan Parsons, Andy Jackson (2), Queen, Roy Thomas Baker, Elton John, John Hudson, Marc Bolan, David Bowie, Brian Eno, Sparks (2), ABBA, Sex Pistols, Trevor Horn, Richard James Burgess, The Human League, Heaven 17, Vince Clarke , Ultravox, ABC (2), Frankie Goes To Hollywood, Grace Jones, Stock, Aitken & Waterman, Paul Hardcastle, Paul Staveley O'Duffy, Hugh Padgham, The Police, Roxy Music, U2, David Byrne, Flood, Daniel Lanois
FormatPaperback
LanguageEnglish
LocationUK
This Edition Published1996
Copyright1996
Pages / Font378 pages
ISBN1-86074-144-4
Barcode9 781860 741449 >
PriceUK: £9,99
PriceUSA: $14,95
PriceCAN: $19,95
PriceAUS: $19,95
ChaptersIntroduction : 15 Chapter 1 : Let There Be Sound-On-Sound : 19 Chapter 2 : Atlantic Crossing : 41 Chapter 3 : England Swings : 77 Chapter 4 : Abbey Road & The Beatles : 119 Chapter 5 : The Art School Dance Goes On Forever : 153 Chapter 6 : Lunar Legacy : 175 Chapter 7 : Just One More Galileo : 195 Chapter 8 : Stack Heels To Safety Pins : 209 Chapter 9 : Living In The Plastic Age : 251 Chapter 10 : The Obilque Strategist : 299 Chapter 11 : All Our Tomorrows : 315 Appendix I : 100 Classic Albums Of The Rock Era : 339 Appendix II : Off The Record : Producer & Engineer Credits : 349 Appendix III : Studio Lingo - A Glossary Of Terminology : 357 Appendix IV : Reference Section : 375
NotesLeading producers, engineers, artists and equipment designers discuss their contributions to the development of the recording art and draw comparisons between studio life today and yesteryear. industry figures comment on the changing responsibilities of the producer and engineer, as well as exposing the artist / producers / songwriter relationship which has changed in so many ways since the height of the Tin Pan Alley / Brill Building era of the Sixties.
Added by ByrdmanPL · Last edited by music1man_eric