Wonderlands of the Avant-Garde
| Publisher | Northwestern University Press |
| Publisher Series | Studies in Russian Literature and Theory |
| Series Editor | Gary Saul Morson |
| Published with Assistance from | Andrew W. Mellon Foundation |
| Cover/Jacket Design by | Marianne Jankowski |
| Cover Art by | Vladimir Tatlin |
| Format | Trade Paperback |
| Language | English |
| Location | United States |
| Copyright | 2013 |
| This Edition Published | 2013 |
| Pages / Font | 308 pages |
| ISBN 13 | 9780810136113 |
| Library of Congress Catalog Card Number | 2012033499 |
| Chapters | Introduction - Imaginative and Instrumental Technologies, 3 Part I. Homo Faber, Homo Ludens Chapter 1 - Poetry In Motion:Aleksei Gastev and the Aesthetic Origins of Soviet Biomechanics, 25 Chapter 2 - The Biomechanics of Infidelity: Range of Motion and Limits of Control in Meyerhold's Theater, 54 Part II. Alternative Technologies Chapter 3 - Writing as Bodily Technology in Zamyatin's We, or a Portrait of an Avant-Garde Artist as a Malfunctioning Machine, 87 Chapter 4 - The Incredible Heights of Organic Architecture: Tatlin, Khlebnikov, and the Technological Sublime, 101 Chapter 5 - Olesha's Suicide Machine, 133 Part III. The Homeland of Technology Chapter 6 - Convention, Play, and Technology in Russian Explorers' American Discoveries, 149 Chapter 7 - Red Pinkertons: Adventures in Artificial Reality, 182 Conclusion - Poetics of the Unconscriptable, 224 Notes, 233 Works Cited, 279 Index, 295 |
| Notes | subtitle: Technology and the Arts in Russia of the 1920s front cover art: Tatlin's drawing of The Monument to the Third International, 1920. |
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