ESC
In the Peanut Gallery with Mystery Science Theater 3000: Essays on Film, Fandom, Technology and the Culture of Riffing

In the Peanut Gallery with Mystery Science Theater 3000: Essays on Film, Fandom, Technology and the Culture of Riffing

FormatPaperback
LanguageEnglish
Copyright2011
EditorRobert G. Weiner, Shelley E. Barba
Foreword byKevin Murphy, Robert Moses Peaslee
Afterword byMary Jo Pehl
PublisherMcFarland
About/SubjectMystery Science Theater 3000
FormatPaperback
LanguageEnglish
Copyright2011
Pages / Font265 pages
ISBN 13978-0-7864-4532-5
Chapters
Acknowledgments Foreword: Riffing and you (and riffing ) / by Kevin Murphy Foreword / by Robert Moses Peaslee Introduction / by Robert G. Weiner and Shelley E. Barba PART ONE. DIRECTORS There's been an accident at the studio: How we made hobgoblins! / Rick Sloane "Remember: Only you can prevent Roger Corman": The king of the Bs under siege / Cynthia J. Miller PART TWO. SPECIFIC FILMS Communists and cosmonauts in Mystery science theater 3000: De-Camping East Germany's First spaceship on Venus/Silent star / Sebastian Heiduschke The semiotics of spaceflight on the satellite of love / Matthew H. Hersch Resurrecting the dead: Revival of forgotten films through appropriation / Cheryl Hicks PART THREE. FANDOM Becoming "The right people": fan-generated knowledge building / Kris M. Markman and John Overholt Converging fan cultures and the labors of fandom / Megan Condis "Consume excrement and thus expire": conflict resolution, "fantagonism," and alt.tv.mst3k / Jeremy Groskopf Cinemasochism: bad movies and the people who love them / David Ray Carter PART FOUR. MEDIA TEXTS, AUDIENCES, AND THE CULTURE OF RIFFING Double poaching and the subversive operations of riffing: "You kids with your hoola hoops and your Rosenbergs and your Communist agendas" / Ora Mcwilliams and Joshua Richardson Frame work, resistance and co-optation: how Mystery Science Theater 3000 positions us both in and against hegemonic culture / Michael Dean "Not too different from you or me": the paradox of fiction, joint attention, and longevity / Michael David Elam Mystery Science Theater 3000: a media-centered exploration / Zachary Grimm Authorship and text remediation in Mystery Science Theater 3000 / Kaleb Havens PART FIVE. MENTAL HYGIENE: THE MST3K SHORTS "People were Whiter back then": film placement and in-theater commentary as sociopolitical dialogue / Erin Giannini Endearing educational shorts / Amanda R. Keeler Writing history with riffs: the historiography of the "shorts" / Miranda Tedholm PART SIX. SATIRE AND GENDER Robot roll call: Gypsy! (Hi girls!) / Michele Brittany What's the difference? Satire and separation in that "Little Puppet Show" / Alana Hatley PART SEVEN. TECHNOLOGY AND EPISODE COLLECTING Design and speculative technology of MST3K: Joel Hodgson and Trace Beaulieu at MIT / Jason Begy and Generoso Fierro "Cambot eye": the synthesis of man, machine and spectatorship / Danielle Reay MSTies and mastery: circulating the tapes in a digital age / Joseph S. Walker PART EIGHT. HISTORY AND PRE-HISTORY "Hamlet will return in Thunderball": historical precedents of riffing / Mark Mcdermott From techno-isolation to social reconciliation / E. Mitchell Fishing with cheese on a Blood Hook: MST3K's unlikely origins on a lake in the woods of Wisconsin / Robert G. Weiner Afterword / Mary Jo Pehl.
Acknowledgments Foreword: Riffing and you (and riffing ) / by Kevin Murphy Foreword / by Robert Moses Peaslee Introduction / by Robert G. Weiner and Shelley E. Barba PART ONE. DIRECTORS There's been an accident at the studio: How we made hobgoblins! / Rick Sloane "Remember: Only you can prevent Roger Corman": The king of the Bs under siege / Cynthia J. Miller PART TWO. SPECIFIC FILMS Communists and cosmonauts in Mystery science theater 3000: De-Camping East Germany's First spaceship on Venus/Silent star / Sebastian Heiduschke The semiotics of spaceflight on the satellite of love / Matthew H. Hersch Resurrecting the dead: Revival of forgotten films through appropriation / Cheryl Hicks PART THREE. FANDOM Becoming "The right people": fan-generated knowledge building / Kris M. Markman and John Overholt Converging fan cultures and the labors of fandom / Megan Condis "Consume excrement and thus expire": conflict resolution, "fantagonism," and alt.tv.mst3k / Jeremy Groskopf Cinemasochism: bad movies and the people who love them / David Ray Carter PART FOUR. MEDIA TEXTS, AUDIENCES, AND THE CULTURE OF RIFFING Double poaching and the subversive operations of riffing: "You kids with your hoola hoops and your Rosenbergs and your Communist agendas" / Ora Mcwilliams and Joshua Richardson Frame work, resistance and co-optation: how Mystery Science Theater 3000 positions us both in and against hegemonic culture / Michael Dean "Not too different from you or me": the paradox of fiction, joint attention, and longevity / Michael David Elam Mystery Science Theater 3000: a media-centered exploration / Zachary Grimm Authorship and text remediation in Mystery Science Theater 3000 / Kaleb Havens PART FIVE. MENTAL HYGIENE: THE MST3K SHORTS "People were Whiter back then": film placement and in-theater commentary as sociopolitical dialogue / Erin Giannini Endearing educational shorts / Amanda R. Keeler Writing history with riffs: the historiography of the "shorts" / Miranda Tedholm PART SIX. SATIRE AND GENDER Robot roll call: Gypsy! (Hi girls!) / Michele Brittany What's the difference? Satire and separation in that "Little Puppet Show" / Alana Hatley PART SEVEN. TECHNOLOGY AND EPISODE COLLECTING Design and speculative technology of MST3K: Joel Hodgson and Trace Beaulieu at MIT / Jason Begy and Generoso Fierro "Cambot eye": the synthesis of man, machine and spectatorship / Danielle Reay MSTies and mastery: circulating the tapes in a digital age / Joseph S. Walker PART EIGHT. HISTORY AND PRE-HISTORY "Hamlet will return in Thunderball": historical precedents of riffing / Mark Mcdermott From techno-isolation to social reconciliation / E. Mitchell Fishing with cheese on a Blood Hook: MST3K's unlikely origins on a lake in the woods of Wisconsin / Robert G. Weiner Afterword / Mary Jo Pehl.
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