Guy de Maupassant's Selected Works
| Book | Guy de Maupassant's Selected Works |
| Format | Paperback |
| Language | English |
| Copyright | 2017 |
Collection
| Author | Guy de Maupassant, Robert Lethbridge |
| Publisher Series | Norton Critical Editions |
| Publisher | W. W. Norton & Company |
| Translated by | Sandra Smith |
| Editor | Robert Lethbridge |
| Copyright Holder | W. W. Norton & Company, Inc., Sandra Smith |
| Contributing Writer | Henry James, Jules Lemaître, Arthur Symons, Joseph Conrad, Aaron Schaffer, David Coward, Trevor A. Le V. Harris, Ann L. Murphy, Angela S. Moger, Mary Donaldson-Evans, Richard Bolster, Rachel Killick, Roger L. Williams, Allan H. Pasco, Ruth A. Hottell, Katherine C. Kurk |
| Cover Artist | Paul-Émile Boutigny |
| Author photo/portrait | Nadar |
| Format | Paperback |
| Language | English |
| Location | New York - London |
| Copyright | 2017 |
| Copyright | 2015 |
| Pages / Font | 417 pages |
| Edition No. | 1 |
| Printer's Key | 1 2 3 4 5 6 7 8 9 0 |
| Barcode (EAN) | 9780393923278 |
| EAN 5 | 90000 |
| ISBN 13 | 978-0-393-92327-8 |
| Chapters | Introduction
GUY DE MAUPASSANT'S SELECTED WORKS
Tales of French Life
— The Necklace (La Parure)
— My Uncle Jules (Mon Oncle Jules)
— The Protector (Le Protecteur)
— The Journey (Le Voyage)
— Mademoiselle Pearl (Mademoiselle Perle)
— The Umbrella (La Parapluie)
— On Horseback (A Cheval)
— The Baptism (Le Baptême)
— In the Countryside (Aux Champs)
— Adieu (Adieu)
— A Day in the Country (Une Partie de Campagne)
— The Question of Latin (La Question du Latin)
Tales of War
— Boule de Suif (Boule de Suif) — Novella
— Mademoiselle Fifi (Mademoiselle Fifi)
— The Madwoman (La Folle)
— Lieutenant Laré's Marriage (Le Mariage du Lieutenant Laré)
— Two Friends (Deux Amis)
— Père Milon (Le Père Milon)
— The Adventure of Walter Schnaffs (L'Aventure de Walter Schnaffs)
— La Mère Sauvage (La Mère Sauvage)
— The Prisoners (Les Prisonniers)
— A Duel (Un Duel)
Tales of the Supernatural
— Le Horla (Le Horla)— Novella
— On the Water (Sur l'eau)
— Fear (La Peur)
— The Apparition (L'Apparition)
— The Hand (La Main)
— Lost at Sea (Le Noyé)
— Who Can Know? (Qui sait?)
— A Nightmare (La Nuit: Un Cauchemar)
CONTEXTS
The Craft of Fiction
— Preface to Pierre et Jean (1888)
Politics
— Letter to Gustave Flaubert, December 10, 1877
— Article in Le Gaulois, September 8, 1881 [Politicians and Principles]
— Article in Gil Blas, April 7, 1885 [Elected Representatives]
— Article in Le Gaulois, December 23, 1889 [Republicanism]
War
— Letter to Gustave Flaubert, January 5, 1880
— Article in Le Gaulois, April 10, 1881: War
Social Types
— Article in Le Gaulois, June 9, 1881: The Social Hierarchy
— Article in Le Gaulois, January 4, 1882 [Government Employees]
— Essay in Les Types de Paris (1889): [The Laboring Classes]
— Essay in Les Types de Paris (1889): [Housemaids]
— Article in Le Gaulois, March 16, 1883 [Good Citizens of France]
— Article in Le Gaulois, January 3, 1883 [The Parisian Provincial]
Women, Love, and Marriage
— Article in Le Gaulois, December 30, 1880 [Schopenhauer's View of Women]
— Letter to Gisèle d'Estoc, January 1881
— Article in Gil Blas, October 29, 1881 [The "Parisienne"]
— Article in Le Gaulois, November 22, 1881 [Marriage and Adultery]
— Preface to René Maizeroi's Celles qui osent (1883)
— Preface to Paul Ginisty's L'Amour à Trois (1884)
— Article in Le Gaulois, June 25, 1882: Elderly Women
The Supernatural
— Article in Le Gaulois, November 8, 1881 [Mystery and Myth]
— Article in Le Gaulois, October 7, 1883: The Fantastic
Pessimism, Illness, and Despair
— Letter to Caroline Commanville, May 24, 1880
— Article in Le Gaulois, February 25, 1884 [The Ravages of Age]
— Article in Gil Blas, June 10, 1884 [Blessed Are the Content]
— Letter to Jean Bourdeau, October 1889
— Letter to Dr. Grancher, 1891
— Telegram to Henry Cazalis, January 1891
— Letter to Henry Cazalis, January 1891
— Letter to Henry Cazalis, August/September 1891
CRITICISM
Early Criticism
— Henry James • [Maupassant and the Senses]
— Jules Lemaître • [Maupassant's Misanthropy]
— Arthur Symons • [Maupassant's Cynicism]
— Joseph Conrad • [The Austerity of Maupassant's Talent]
— Aaron Schaffer • [Maupassant's Technique and His Philosophy of Life]
Modern Criticism
General
— David Coward • [Maupassant's Cruelty and Compassion]
— Trevor A. Le V. Harris • [Maupassant's Journalism]
Tales of French Life
— Ann L. Murphy • Narration, the Maternal, and the Trap in Maupassant's — Mademoiselle Perle
— Angela S. Moger • Narrative Structure in Maupassant: Frames of Desire
Tales of War
— Mary Donaldson-Evans • The Decline and Fall of Elisabeth Rousset: Text and Context in Maupassant's Boule de suif
— Richard Bolster • Mademoiselle Fifi: An Unexpected Literary Source
— Rachel Killick • Mock Heroics? Narrative Strategy in a Maupassant War Story
Tales of the Supernatural
— Roger L. Williams • [Maupassant's Pathological Themes]
— Allan H. Pasco • The Evolution of Maupassant's Supernatural Stories
— Ruth A. Hottell • The Delusory Dénouement and Other Narrative Strategies in Maupassant's Fantastic Tales
— Katherine C. Kurk • Maupassant and the Divided Self: Qui Sait?
Guy de Maupassant: A Chronology
Selected Bibliography Introduction
GUY DE MAUPASSANT'S SELECTED WORKS
Tales of French Life
— The Necklace (La Parure)
— My Uncle Jules (Mon Oncle Jules)
— The Protector (Le Protecteur)
— The Journey (Le Voyage)
— Mademoiselle Pearl (Mademoiselle Perle)
— The Umbrella (La Parapluie)
— On Horseback (A Cheval)
— The Baptism (Le Baptême)
— In the Countryside (Aux Champs)
— Adieu (Adieu)
— A Day in the Country (Une Partie de Campagne)
— The Question of Latin (La Question du Latin)
Tales of War
— Boule de Suif (Boule de Suif) — Novella
— Mademoiselle Fifi (Mademoiselle Fifi)
— The Madwoman (La Folle)
— Lieutenant Laré's Marriage (Le Mariage du Lieutenant Laré)
— Two Friends (Deux Amis)
— Père Milon (Le Père Milon)
— The Adventure of Walter Schnaffs (L'Aventure de Walter Schnaffs)
— La Mère Sauvage (La Mère Sauvage)
— The Prisoners (Les Prisonniers)
— A Duel (Un Duel)
Tales of the Supernatural
— Le Horla (Le Horla)— Novella
— On the Water (Sur l'eau)
— Fear (La Peur)
— The Apparition (L'Apparition)
— The Hand (La Main)
— Lost at Sea (Le Noyé)
— Who Can Know? (Qui sait?)
— A Nightmare (La Nuit: Un Cauchemar)
CONTEXTS
The Craft of Fiction
— Preface to Pierre et Jean (1888)
Politics
— Letter to Gustave Flaubert, December 10, 1877
— Article in Le Gaulois, September 8, 1881 [Politicians and Principles]
— Article in Gil Blas, April 7, 1885 [Elected Representatives]
— Article in Le Gaulois, December 23, 1889 [Republicanism]
War
— Letter to Gustave Flaubert, January 5, 1880
— Article in Le Gaulois, April 10, 1881: War
Social Types
— Article in Le Gaulois, June 9, 1881: The Social Hierarchy
— Article in Le Gaulois, January 4, 1882 [Government Employees]
— Essay in Les Types de Paris (1889): [The Laboring Classes]
— Essay in Les Types de Paris (1889): [Housemaids]
— Article in Le Gaulois, March 16, 1883 [Good Citizens of France]
— Article in Le Gaulois, January 3, 1883 [The Parisian Provincial]
Women, Love, and Marriage
— Article in Le Gaulois, December 30, 1880 [Schopenhauer's View of Women]
— Letter to Gisèle d'Estoc, January 1881
— Article in Gil Blas, October 29, 1881 [The "Parisienne"]
— Article in Le Gaulois, November 22, 1881 [Marriage and Adultery]
— Preface to René Maizeroi's Celles qui osent (1883)
— Preface to Paul Ginisty's L'Amour à Trois (1884)
— Article in Le Gaulois, June 25, 1882: Elderly Women
The Supernatural
— Article in Le Gaulois, November 8, 1881 [Mystery and Myth]
— Article in Le Gaulois, October 7, 1883: The Fantastic
Pessimism, Illness, and Despair
— Letter to Caroline Commanville, May 24, 1880
— Article in Le Gaulois, February 25, 1884 [The Ravages of Age]
— Article in Gil Blas, June 10, 1884 [Blessed Are the Content]
— Letter to Jean Bourdeau, October 1889
— Letter to Dr. Grancher, 1891
— Telegram to Henry Cazalis, January 1891
— Letter to Henry Cazalis, January 1891
— Letter to Henry Cazalis, August/September 1891
CRITICISM
Early Criticism
— Henry James • [Maupassant and the Senses]
— Jules Lemaître • [Maupassant's Misanthropy]
— Arthur Symons • [Maupassant's Cynicism]
— Joseph Conrad • [The Austerity of Maupassant's Talent]
— Aaron Schaffer • [Maupassant's Technique and His Philosophy of Life]
Modern Criticism
General
— David Coward • [Maupassant's Cruelty and Compassion]
— Trevor A. Le V. Harris • [Maupassant's Journalism]
Tales of French Life
— Ann L. Murphy • Narration, the Maternal, and the Trap in Maupassant's — Mademoiselle Perle
— Angela S. Moger • Narrative Structure in Maupassant: Frames of Desire
Tales of War
— Mary Donaldson-Evans • The Decline and Fall of Elisabeth Rousset: Text and Context in Maupassant's Boule de suif
— Richard Bolster • Mademoiselle Fifi: An Unexpected Literary Source
— Rachel Killick • Mock Heroics? Narrative Strategy in a Maupassant War Story
Tales of the Supernatural
— Roger L. Williams • [Maupassant's Pathological Themes]
— Allan H. Pasco • The Evolution of Maupassant's Supernatural Stories
— Ruth A. Hottell • The Delusory Dénouement and Other Narrative Strategies in Maupassant's Fantastic Tales
— Katherine C. Kurk • Maupassant and the Divided Self: Qui Sait?
Guy de Maupassant: A Chronology
Selected Bibliography Show all ▾ |
| Notes | Printed in the United States of America |
Added by auboisdormant

