Morrissey - Fandom, Representations and Identities
| Co-Editor | Eoin Devereux, Aileen Dillane, Martin J. Power |
| Preface by | Len Brown |
| Typeset by | Mac Style Ltd |
| Printed and Bound by | Gutenberg Press Ltd |
| Cover photo | Douglas@Z360.com |
| Cover/Jacket Design by | Joe Gervin |
| Copy Editor | Rebecca Vaughan-Williams |
| Copyright Holder | Intellect Ltd |
| About/Subject | Morrissey |
| Format | Hardback |
| Language | English |
| Location | Bristol / Chicago, IL |
| Copyright | 2011 |
| First Printing in Country | 2011 |
| Pages / Font | 342 pages |
| ISBN | 978-1-84150-417-9 |
| Barcode | 9 781841 504179 |
| Chapters | Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life... - Eoin Devereux, Aileen Dillane & Martin J. Power Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana - Erin Hazard Chapter 2: "The Seaside Town that They Forgot to Bomb": Morrissey and Betjeman on Urban Regeneration and British Identity - Lawrence Foley Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult - John H. Baker Chapter 4: Fanatics, Apostles and NMEs - Colin Snowsell Chapter 5: The "Teenage Dad" and "Slum Mums" are Just "Certain People I Know": Counter Hegemonic Representations of the Working/Underclass in the Works of Morrissey - Martin J. Power Chapter 6: In Our Different Ways We are the Same: Morrissey and Representations of Disability - Daniel Manco Chapter 7: "My So Friendly Lens": Morrissey as Mediated through His Public Image - Melissa Connor Chapter 8: "Because I've only got Two Hands": Western Art Undercurrents in the Poses and Gestures of Morrissey - Andrew Cope Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions - Rachel M. Brett Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and Ambiguity - Eoin Devereux and Aileen Dillane Chapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song - Eirik Askerøi Chapter 12: 'Vicar in a Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey - Pierpaolo Martino Chapter 13: Smiths Night: A Dream World Created Through Other People's Music - Dan Jacobson and Ian Jeffrey Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation - Lee Brooks Chapter 15: 'I'm Not the Man You Think I Am': Morrissey Negotiation of Dominant Gender and Sexuality Codes - Elisabeth Woronzoff Chapter 16: Melodramatic Morrissey: "Kill Uncle," Cavell and the Question of the Human Voice - Johanna Sjöstedt Chapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression - Stan Hawkins |
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