New Musical Figurations: Anthony Braxton's Cultural Critique
| Format | Paperback |
| Language | English |
| This Edition Published | 1993 |
| Publisher | The University of Chicago Press, The University of Chicago Press, Ltd. |
| Copyright Holder | The University of Chicago |
| Cover photo | Rolf Hans |
| Contributing Photographer | Bill Smith, Terry Martin |
| About/Subject | Anthony Braxton, Jazz |
| Format | Paperback |
| Language | English |
| Location | Chicago, London |
| This Edition Published | 1993 |
| Pages / Font | xv, 315 pages |
| Barcode | 978022670196790000 |
| ISBN | 0-226-70196-4 |
| Chapters | List of illustrations, p. ix
Acknowledgements, p. xi
A Note on sources and methods, p. xv
1. Introduction: A new musical balance, p. 1
2. Chicago as aesthetic center, p. 28
3. Musical assertions of black identity, p. 77
4. New musical convergences: Paris and New York, p. 140
5. Defining a black vanguard aesthetic, p. 180
6. Black experimentalism as spectacle, p. 238
Epilogue: Jazz recast, p. 269
Appendix A: Picture titles of compositions cited, p. 277
Appendix B: Recordings cited/Anthony Braxton on record, p. 285
Music index, p. 297
General index, p. 301 List of illustrations, p. ix
Acknowledgements, p. xi
A Note on sources and methods, p. xv
1. Introduction: A new musical balance, p. 1
2. Chicago as aesthetic center, p. 28
3. Musical assertions of black identity, p. 77
4. New musical convergences: Paris and New York, p. 140
5. Defining a black vanguard aesthetic, p. 180
6. Black experimentalism as spectacle, p. 238
Epilogue: Jazz recast, p. 269
Appendix A: Picture titles of compositions cited, p. 277
Appendix B: Recordings cited/Anthony Braxton on record, p. 285
Music index, p. 297
General index, p. 301 Show all ▾ |
| Notes | Contains 18 figures and musical examples, and ten black-and-white photographs. |
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