In The Break: The Aesthetics Of The Black Radical Tradition
| Format | Paperback |
| Language | English |
| First Printing | 2003 |
| Publisher | University of Minnesota Press |
| Copyright Holder | The Regents of the University of Minnesota |
| Cover/Jacket Design by | Brian Donahue |
| Designed at | be design, inc. |
| About/Subject | Jazz, African Americans, Radicalism, Aesthetics |
| Format | Paperback |
| Language | English |
| Location | Minneapolis, London |
| First Printing | 2003 |
| Copyright | 2003 |
| Pages / Font | xii, 315 pages |
| Barcode | 9780816641000 |
| ISBN | 0-8166-4100-5 |
| Chapters | Acknowledgements xi
Resistance of the object: Aunt Hester's scream 1
1 The sentimental avant-garde
- Duke Ellington's sound of love 25
- Voices/forces 31
- Sound in florescence (Cecil Taylor floating garden) 41
- Praying with Eric 63
2 In the break
- Tragedy, elegy 85
- The dark lady and the sexual cut 102
- German inversion 122
- 'Round the Five Spot 149
3 Visible music
- Baldwin's Baraka, his mirror stage, the sound of his gaze 171
- Black Mo'nin' in the sound of the photograph 192
- Tonality of totality 211
Resistance of the object: Adrian Piper's theatricality 233
Notes 255
Index 307 Acknowledgements xi
Resistance of the object: Aunt Hester's scream 1
1 The sentimental avant-garde
- Duke Ellington's sound of love 25
- Voices/forces 31
- Sound in florescence (Cecil Taylor floating garden) 41
- Praying with Eric 63
2 In the break
- Tragedy, elegy 85
- The dark lady and the sexual cut 102
- German inversion 122
- 'Round the Five Spot 149
3 Visible music
- Baldwin's Baraka, his mirror stage, the sound of his gaze 171
- Black Mo'nin' in the sound of the photograph 192
- Tonality of totality 211
Resistance of the object: Adrian Piper's theatricality 233
Notes 255
Index 307 Show all ▾ |
| Notes | Printed in the United States of America |
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