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Useless Magic: Lyrics And Poetry

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BookUseless Magic: Lyrics And Poetry
PublisherFig Tree
Copyright Holder (Cover/Jacket Art)Florence Welch
Photo CreditFlorence Welch, William Morris, Bridgeman Images, William Kilburn, Stapleton Collection, Unknown, Museum of Fine Arts, Boston, Jacob Chr. Roux, Sir Edward Burne-Jones, John William Waterhouse, Tate, Walter Crane, Sandro Botticelli, National Galleries Of Scotland, Nicolas Hilliard, Hatfield House, Manuel de Arellano, Tamara de Lempicka, George Charles Beresford, National Portrait Gallery, Gustav Klimt, Osterreichische Galerie Belvedere, Gustav Klimt, Vienna Museum, Peter Paul Rubens, Kingston Lacy, Christie's Images Ltd, Universal History Archive, UIG, Jules Charles Ernest Billaudot, PVDE, Eugène Delacroix, Ajaccio Cathedral, Eujarim Photography, Getty Images, Hartmann et Fils, Niccolò de Simone, Jack Pierson, Vali Myers, Cy Twombly, Philadelphia Museum of Art, Nicolas Robert, Pompeo Batoni
Copyright Holder (Photos)Tom Beard, Prettybird, Victoria And Albert Museum, Wellcome Collection, Christie's Images Ltd, Bridgeman Images, AKG-Images, World History Archive, Museum Associates, Los Angeles County Museum of Art, Tamara Art Heritage, Société des Auteurs dans les Arts graphiques et plastiques (ADAGP), Design and Artists Copyright Society (DACS), National Trust Photographic Library, Derrick E. Witty, Martyn Thompson, Trunk Archive, David Mushegain, Colin Michael Simmons, Gallery Stock, Ismael Eduardo P.M., Marlene Marino, Jack Pierson, Nancy Jo Iacoi, Tamara Lichtenstein, Fondazione Nicola Del Roscio, Scala, Fondo Edifici di Culto, David Gahr, Liszt Collection, Cy Twombly Foundation, Quentin de Briey
Copyright Holder (Design)Jemma Lewis Marbling & Design
Copyright HolderFlorence Welch
Copyright Holder (Text)Universal Music Publishing Group
Color ReproductionAltaimage
FormatHardback
LanguageEnglish
LocationUnited Kingdom
Copyright2018
Pages / Font287 pages / Bell MT Std, Adobe Garamond Pro
ISBN 13978-0-241-34793-5
EAN 590000
Barcode9 780241 347935
Price£20.00
ChaptersPREFACE LUNGS CEREMONIALS HOW BIG HOW BLUE HOW BEAUTIFUL HIGH AS HOPE POETRY THANKS INDEX OF TITLES INDEX OF FIRST LINES IMAGE CREDITS
NotesCopyright © Florence Welch, 2018 Lyrics copyright © Universal Music Publishing, 2018 Printed in China Cover artwork © Florence Welch. Photos and postcard on pp. 9, 17, 33, 34, 99, 123, 156, 174, 180, 199, 215, 221, 231, 235, 253 and 279 courtesy of the author. Photography on pp. 64-5, 91, 130, 151, 175, 208 and 262 © Tom Beard/Prettybird. Marbling on pp. 39, 52-3, 94-5, 122, 182, 192-3, 209 and 268 © Jemma Lewis Marbling & Design. p. 2: William Morris (1834-96), Gold and red sunflower wallpaper design, 1879 (colour woodblock print on paper), Private Collection/Bridgeman Images. p. 8: William Morris (1834-96), Snakeshead, 1876 (block printed cotton) © Victoria and Albert Museum, London. p. 10: Illustration created usinng William Kilburn (1745-1818), Textile Design, c. 1788-92 (w/c on paper)/The Stapleton Collection/Bridgeman Images. p. 18: Artist Unknown, Narcissus, c. 1500 (wool and silk), Museum of Fine Arts, Boston, Massachusetts, USA/Bridgeman Images. p. 25: William Morris (1834-96), Design for Vine wallpaper, c. 1872 (w/c on paper), Private Collection/Bridgeman Images. p. 33: William Morris (1834-96), Wallpaper with acanthus leaves and wild roses on a crimson background, Private Collection/Bridgeman Images. p. 39: Jacob Chr. Roux, Partial dissection of the chest of a man, with arteries indicated in red, 1822 © Wellcome Collection. p. 43: Edward Coley Burne-Jones (1833-98), Hope, (watercolour with bodycolour), Private Collection. Photo © Christie's Images/Bridgeman Images. p. 56: (border) William Morris (1834-96), Original drwaing for a full-page border, 1892-5 (ink and pencil). Photo © Christie's Images/Bridgeman Images. p. 62: John William Waterhouse (1849-1917), The Lady of Shalott, 1888, Tate, London. Photo © akg-images/World History Archive. p. 70: John William Waterhouse (1849-1917), Ophelia, 1894 (oil on canvas), Private Collection. Photo © Christie's Images/Bridgeman Images. p. 74: Walter Crane (1845-1915), Wallpaper showing a design of pine-needles and cones (detail) © Victoria and Albert Museum, London p. 77: Sandro Botticelli (Alessandro Filipepi), The Virgin Adorning the Sleeping Christ Child, National Galleries of Scotland. Purchased with the aid of the Heritge Lottery Fund, the Art Fund, the Scottish Executive, the Bank of Scotland, the Royal Bank of Scotland, Sir Tom Farmer, the Dunard Fund, Mr and Mrs Kenneth Woodcock (donation made through the American Friends of the National Galleries of Scotland) and private donations, 1999. p. 79: William Morris (1834-96), Design for tapestry (w/c on paper), Private Collection/Bridgeman Images. p. 80: Nicolas Hilliard (1547-1619), Queen Elizabeth I, 'The Ermine Portrait', 1585 (oil on panel), Hatfield House, Hertfordshire, UK/Bridgeman Images. p. 84: Manuel de Arellano (Mexico, 1662-1722), Virgin of Guadelope (La Virgen de Guadelope), 1691 (oil on canvas). Purchased with funds provided by the Bernard and Edith Lewi Collection of Mexican Art Deaccession Fund (M.2009.61). Photo © Museum Associates/ LACMA p. 90: Tamara De Lempika (1898-1980) Portrait of Madame M, 1932 (oil on canvas), (detail), Private Collection/Bridgeman Images © Tamara Art Heritage/ADAGP, Paris and DACS London, 2018 p. 95: George Charles Beresford (1864-1938), Virginia Woolf, 1902 (b/w photo), National Portrait Gallery, London. p. 99: (pattern) Artist Unknown, Floral design of Roses and Lilacs, c. 1850 (glazed and roller-printed cotton) © Victoria and Albert Museum, London. p. 103: Gustav Klimnt (1862-1918), The Kiss, 1907-1908 (oil on canvas) (detail of 601), Osterreichische Galerie Belvedere, Vienna, Austria/Bridgeman Images. p. 110: Gustav Klimt (1862-1918), Minerva or Pallas Athena, 1898 (oil on canvas), (detail), Wien Museum Karlsplatz, Vienna, Austria/Bridgeman Images. p. 114: Peter Raul Rubens (1577-1640), Portrait of Marchesa Maria Serra Pallavicino (c. 1575-c.1630), 1606 (oil on canvas), (detail), Kingston Lacy, Dorset, UK. Photo © National Trust Photographic Library/Derrick E. Witty/Bridgeman Images. p. 118: Gustav Klimnt (1862-1918), Detail of Water Serpents I, 1904-1907 (oil on canvas), Osterreichische Galerie Belvedere, Vienna, Austria/Bridgeman Images. p. 131: Tamara De Lempika (1898-1980), Portrait of Ira P, 1930 (oil on panel), (detail), Private Collection/Photo via Christie's Images/Bridgeman Images © Tamara Art Heritage/ADAGP, Paris and DACS London, 2018. p. 132: © Martyn Thompson/Trunk Archive. p. 134: Artist Unknown, A Shipwreck, 1850, Universal History Archive/UIG/Bridgeman Images. p. 138: © David Mushegain/Trunk Archive. p. 142: Jules Charles Ernest Billaudot, aka Mage Edmond (1892-81), 'Oracle' Tarot Card of Love, c. 1845 (cardboard and gouache), Paris, France. PVDE/Bridgeman Images. p. 143: Ferdinand Victor Eugène Delacroix, (1798-1863), The Virgin of the Sacred Heart, 1821 (oil on canvas), Ajaccio Cathedral, Ajaccio, Corsica/Bridgeman Images. p. 144-5: © Colin Michael Simmons/Gallery Stock. p. 148: Eujarim Photography/Getty Images. p. 150: Gran Cenote, Mexico © Ismael Eduardo P.M. via Flickr. p. 157: (pattern) Hartmann et Fils, Flowers of India on a Trunk, c. 1800 (printed cotton), Munster, Germany © Victoria and Albert Museum, London; (painting) Niccolò de Simone, (1636-77), Saint Agatha, c. 17th (oil on canvas). Photo © Christie's Images/Bridgeman Images. p. 162: © Marlene Marino/Trunk Archive. p. 163: Jack Pierson, One More Lie Hollywood Told Me, c. 1990 © Jack Pierson, courtesy Cheim & Read, New York. p. 170: © Nancy Jo Iacoi/Gallery Stock. p. 176: © Tamara Lichtenstein. p. 184: Vali Myers (1930-2003), Foxy, 1967, (pen, black ink and watercolour), 34 x 23 cm. Image provided courtesy of The Vali Myers Art Gallery Trust and Outre Gallery, www.outregallery.com. p. 194: William Morris (1834-96), Utrecht Velvet, 1871, Private Collection/The Stapleton Collection/Bridgeman Images. p. 199: (pattern) Artist Unknown, Dress fabric with floral patterns, late eighteenth century (cotton), France © Victoria and Albert Museum, London. p. 202: Cy Twombly (1929-2011), Fifty Days at Iliam: Shades of Eternal Night, 1978 (oil, oil crayon and graphite on canvas), Philadelphia Museum of Art, Pennsylvania, PA, USA. Gift (exchange) of Samuel S. White 3rd and Vera White, 1989. Photo via Bridgeman Images. © Fondazione Nicola Del Roscio. p. 204: Nicolas Robert (1614-85), Frontispiece of 'La Guirlande de Julie', c. 1642 (w/c on vellum), Private Collection/Bridgeman Images. p. 221: Pompeo Batoni (1708-87), Sacred Heart, Rome, Church of the Gesu. Photo © Scala, Florence/Fondo Edifici di Culto - Min, dell'Interno p. 222: Patti Smith at Hotel Chelsea, New York City, May 7th, 1971 © David Gahr/Getty Images. p. 224: Cy Twombly (1929-2011), Tulips (III), 1985 (polaroid), Rome © Fondazione Nicola Del Roscio. p. 232: Antique Map of London © Liszt Collection/Bridgeman Images. p. 243: Cy Twombly (1929-2011), The Rose (IV), 2008 (acrylic on plywood, panel: 99 13/16 x 72 13/16 inches), (detail), © Cy Twombly Foundation, Courtesy Gagosian. p. 244: William Morris (1834-96), Anemone design (textile), Private Collection/Bridgeman Images. pp. 249 and 263 © Quentin de Briey. All other images courtesy of the author.
Added by Neotrinston · Last edited by auboisdormant