| Publisher | Duke University Press |
| About/Subject | Noise Music |
| Format | Paperback |
| Language | English |
| Pages / Font | 304 pages |
| ISBN | 978-0-8223-5392-8 |
| Barcode | 9780822353928 |
| Chapters | Acknowledgments | vii
Introduction | 1
1. Scenes of Liveness and Deadness | 28
2. Sonic Maps of the Japanese Underground | 64
3. Listening to Noise in Kansai | 92
4. Genre Noise | 117
5. Feedback, Subjectivity, and Performance | 139
6. Japanoise and Technoculture | 169
7. The Future of Cassette Culture | 198
Epilogue: A Strange History | 227
Notes | 235
References | 259
Index | 279 Acknowledgments | vii
Introduction | 1
1. Scenes of Liveness and Deadness | 28
2. Sonic Maps of the Japanese Underground | 64
3. Listening to Noise in Kansai | 92
4. Genre Noise | 117
5. Feedback, Subjectivity, and Performance | 139
6. Japanoise and Technoculture | 169
7. The Future of Cassette Culture | 198
Epilogue: A Strange History | 227
Notes | 235
References | 259
Index | 279 Show all ▾ |
| Notes | On the cover: Haino Keiji at the 2007 No Fun Fest in Red Hook, Brooklyn. Photo by Author. Frontispiece: Hanatarashi performance at Toritsu Kasei Super Loft, August 4, 1985. Photo by Satoh Gin. |