| Periodical Title | Keyboard |
| Publisher | CMP Entertainment Media, Vicki Hartung |
| Copyright Holder | CMP Entertainment Media |
| Editor in Chief | Ernie Rideout |
| Managing Editor | Debbie Greenberg |
| Technical Editor | Ken Hughes |
| Assistant Editor | Michael Gallant |
| Editor-At-Large | Craig Anderton, John Krogh |
| Copy Chief | Kevin Owens |
| Art Director/Editor | Janell Umemoto |
| Photography | Paul Haggard |
| Cover photo | Travis McCoy |
| About/Subject | BT, Athlete, Synthesizers |
| Format | Magazine |
| Language | English |
| Cover Date | 2005-12 |
| Copyright | 2005 |
| ISSN | 0730-0158 |
| Barcode | 0 74808 01011 0 |
| EAN 2 | 12 |
| Price | $5.99 US |
| Price | $7.99 CAN |
| Volume Number | 31, No. 11 |
| Issue Number | 357 |
| Chapters | Features
20 // BT
Wondering where the future of electronic music lies? BT’s already there.
30 // Holiday Gear Gift Guide
What every keyboardist wants, whether they know it yet or not.
40 // Athlete
Vintage keys are mood-enhancing medicine for these rising stars.
44 // Burning Man
A crucible of electronic experimentation boils over at Burning Man.
Intro
14 // Rumour, Innuendo, and Libel
Paul Mirkovich
From the Forums
Ask Mike
Gadget Bag
Go See
Packrat
Links
8 // From The Editor
10 // Letters
12 // Reviews
18 // New Gear
97 // Ad Index
100 // Product Spotlight
104 // Classified Ads
Play
50 // Beginning
Getting started with jazz chords.
Intermediate
Blending chords and melody.
Advanced
Timeless tips from Bill Evans.
54 // Full Song
"My Romance" played by Bill Evans.
How To
56 // What's This For?
Mixers: Are they really blenders?
58 // Dance Mix
Robbie Rivera makes hit remixes with a minimal setup.
60 // Synth Workshop
Kurzweil K2600 and Alesis Micron.
62 // On The Gig
Get more performance power using MIDI Macros with Ablelon Live 5.
64 // Soft Studio
How to use convolution reverb.
Audition
66 // Cakewalk Sonar 5
70 // Native Instruments Akoustik Piano
74 // Rob Papen Blue
80 // Williams V-1 Keyboard Guitar
86 // Chocopoolp Bhajis Loops
88 // M-Audio Studiophile BX5a
90 // Palm Treo 650
92 // Discovery Firm This Is Vietnam
93 // Sony The Electro Set
94 // Submersible Mattpack 1
Outro
96 // Vintage Synths
Finally, A synth that really Is one-of-a-kind.
103 // Vintage Sounds
You're not on auto when you play an ostinato.
112 // 30 Years Ago Today
George Duke, as busy as ever.
112 // 300 Years Ago Today
Bach's Secret message and Richard Egarr's decoding.
Features
20 // BT
Wondering where the future of electronic music lies? BT’s already there.
30 // Holiday Gear Gift Guide
What every keyboardist wants, whether they know it yet or not.
40 // Athlete
Vintage keys are mood-enhancing medicine for these rising stars.
44 // Burning Man
A crucible of electronic experimentation boils over at Burning Man.
Intro
14 // Rumour, Innuendo, and Libel
Paul Mirkovich
From the Forums
Ask Mike
Gadget Bag
Go See
Packrat
Links
8 // From The Editor
10 // Letters
12 // Reviews
18 // New Gear
97 // Ad Index
100 // Product Spotlight
104 // Classified Ads
Play
50 // Beginning
Getting started with jazz chords.
Intermediate
Blending chords and melody.
Advanced
Timeless tips from Bill Evans.
54 // Full Song
"My Romance" played by Bill Evans.
How To
56 // What's This For?
Mixers: Are they really blenders?
58 // Dance Mix
Robbie Rivera makes hit remixes with a minimal setup.
60 // Synth Workshop
Kurzweil K2600 and Alesis Micron.
62 // On The Gig
Get more performance power using MIDI Macros with Ablelon Live 5.
64 // Soft Studio
How to use convolution reverb.
Audition
66 // Cakewalk Sonar 5
70 // Native Instruments Akoustik Piano
74 // Rob Papen Blue
80 // Williams V-1 Keyboard Guitar
86 // Chocopoolp Bhajis Loops
88 // M-Audio Studiophile BX5a
90 // Palm Treo 650
92 // Discovery Firm This Is Vietnam
93 // Sony The Electro Set
94 // Submersible Mattpack 1
Outro
96 // Vintage Synths
Finally, A synth that really Is one-of-a-kind.
103 // Vintage Sounds
You're not on auto when you play an ostinato.
112 // 30 Years Ago Today
George Duke, as busy as ever.
112 // 300 Years Ago Today
Bach's Secret message and Richard Egarr's decoding.
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