In The Blink Of An Eye

BookIn The Blink Of An Eye
PermissionsHamish Hamilton Ltd, The Saul Zaentz Company
Preface byWalter Murch
PublisherSilman-James Press
Translated byJoan Tate
Foreword byFrancis Ford Coppola
Cover photoMichael D. Brown
Cover/Jacket Design byHeidi Frieder
First Published byNorstedts Förlag
Copyright Holder (Excerpt)The Viking Press
Interview with/IntervieweeJohn Huston
Copyright HolderWalter Murch
Interview by/InterviewerLouise Sweeney
FormatPaperback
LanguageEnglish
LocationUnited States of America, California, Los Angeles
Copyright1995
Copyright2001
Copyright1988
Pages / Font146 pages
Edition No.2
PriceUSD $13.95
ISBN 101-879505-62-2
EAN 551395
Barcode9 781879 505629
Printer's Key27 26 25 24
ChaptersForeword by Francis Coppola Preface to the Second Edition Preface Cuts and Shadow Cuts Why Do Cuts Work? "Cut Out the Bad Bits" Most with the Least The Rule of Six Misdirection Seeing Around the Edge of the Frame Dreaming in Pairs Team Work: Multiple Editors The Decisive Moment Methods and Machines: Marble and Clay Test Screenings: Referred Pain Don't Worry, It's Only a Movie Dragnet A Galaxy of WInking Dots Afterword: Digital Film Editing: Past, Present, and Imagined Future
NotesCopyright © 1995, 2001 by Walter Murch Permission was graciously extended by the respective publishers for the use of material from the following works: The Magic Lantern by Ingmar Bergman, p. 35. © 1988 Viking Press, New York, NY, 10010. Translation by Joan Tate. Originally published as Lanterna Magica in 1987 by Norstedts Forlag, Sweden. Reproduced by permission of Hamish Hamilton Ltd., London. Language in Four Dimensions by William Stokoe. New York Academy of Sciences, 1979. Christian Science Monitor, interview with John Huston by staff writer Louise Sweeney, August 11, 1973. Photos from the film The Unbearable Lightness of Being used with permission of the Saul Zaentz Co. All rights reserved. © 1988 Printed and bound in the United States of America This is a revised transcription of a lecture on film editing given by Walter Murch in the mixing theater at Spectrum Film, Sydney, Australia, in October 1988. In 1995, the main text of this book was revised and the Afterword was added. In 2001, the Afterword was rewritten to reflect current developments in digital editing.
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