Record Collector #481
| Periodical Title | Record Collector |
| Editor | Paul Lester |
| Format | Magazine |
| Language | English |
| Location | UK |
| Pages / Font | 146 pages |
| Chapters | Main Features: MAC ON BLACK: Ian McCann on (mostly) black music and vinyl LUKE HAINES: writes the shuk out of rock’n’roll BOB STANLEY: Bob Stanley carries pop’s baggage everywhere David Quantick likes Gilbert O'Sullivan Death Arthur Buck REM guitarist Peter Buck and acclaimed musician Joseph Arthur have joined forces for a new project called Arthur Buck. And, they tell Tim Peacock, they’ve never found it so easy coming up with songs Gaz Coombes Ever been curious about what’s pumping on Gaz Coombes’ stereo? RC’s Jamie Atkins was, so he headed to Oxfordshire to find out Beach Boys Celebrate the news! There’s more to The Beach Boys than their surfing and hot rod hits, more even than Pet Sounds. Jamie Atkins hails the greatness of their later period, when their hair grew longer and beards thicker and their music – minus the guidance of mastermind Brian Wilson – achieved new levels of ramshackle creativity. Van Morrison When Van Morrison released Astral Weeks in 1968, it created a new category – mystical, poetic folk-jazz. While it remains a landmark recording, it’s hardly the only crucial thing he’s done. Here, Morrison talks Gavin Martin through 20 of his greatest albums. NWOBHM In 1978, a slew of UK metal bands emerged, marking a break with the past every bit as radical as the punks’. The grassroots movement soon earned the name the New Wave Of British Heavy Metal, or NWOBHM to its devoted followers. In this 12-page special, Rich Davenport reports on a scene that produced some of the biggest groups of the era and changed the hard rock landscape, while on page 102 John Tucker picks 50 NWOBHM collectables. The Collector |
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