The Marble Faun

Introduction by Richard H. Brodhead Suggestions for Further Reading A Note on the Text The Marble Faun Preface I. Miriam, Hilda, Kenyon, Donatello II. The Faun III. Subterranean Reminiscences IV. The Spectre of the Catacomb V. Miriam's Studio VI. The Virgin's Shrine VII. Beatrice VIII. The Suburban Villa IX. The Faun and Nymph X. The Sylvan Dance XI. Fragmentary Sentences XII. A Stroll on the Pincian XIII. A Sculptor's Studio XIV. Cleopatra XV. An Æsthetic Company XVI. A Moonlight Ramble XVII. Miriam's Trouble XVIII. On the Edge of a Precipice XIX. The Faun's Transformation XX. The Burial Chaunt XXI. The Dead Capuchin XXII. The Medici Gardens XXIII. Miriam and Hilda XXIV. The Tower among the Apennines XXV. Sunshine XXVI. The Pedigree of Monte Beni XXVII. Myths XXVIII. The Owl-Tower XXIX. On the Battlements XXX. Donatello's Bust XXXI. The Marble Saloon XXXII. Scenes by the Way XXXIII. Pictured Windows XXXIV. Market-Day in Perugia XXXV. The Bronze Pontiff's Benediction XXXVI. Hilda's Tower XXXVII. The Emptiness of Picture-Galleries XXXVIII. Altars and Incense XXXIX. The World's Cathedral XL. Hilda and a Friend XLI. Snow-Drops and Maidenly Delights XLII. Reminiscences of Miriam XLIII. The Extinction of a Lamp XLIV. The Deserted Shrine XLV. The Flight of Hilda's Doves XLVI. A Walk on the Campagna XLVII. The Peasant and Contadina XLVIII. A Scene in the Corso XLIX. A Frolic of the Carnival L. Miriam, Hilda, Kenyon, Donatello Postscript Notes