Pioneering Modern Painting: Cézanne & Pissarro 1865–1885

Pioneering Modern Painting: Cézanne & Pissarro 1865–1885

BookPioneering Modern Painting: Cézanne & Pissarro 1865–1885
EditorJoanne Greenspun
PublisherThe Museum of Modern Art
ArtistPaul Cézanne, Camille Pissarro
Bound byLegatoria Zanardi
ProducerDepartment of Publications, The Museum of Modern Art
Translated byJeanine Herman
Printed byStamperia Valdonega
Designed bySteven Schoenfelder
Copyright HolderThe Museum of Modern Art
ProductionChristina Grillo
FormatPaperback
LanguageEnglish
LocationNew York
Copyright2005
Pages / Font256 pages
PriceUS $40.00
ISBN 100-87070-185-1
Barcode9780870701856
EAN 554000
Library of Congress Catalog Card Number2005925252
ChaptersForeword Acknowledgments Pioneering Modern Painting - Still Modern? - Origins: Two Foreigners—The Formation of a New Language in Painting - Dialogues in Word and Paint - Reviewing the Past and Facing the End - Impressionism, Post-Impressionism: It's all Modern Painting Plates - "Setting the Louvre on Fire": Radical Technique and Ideology in Early Works - Reciprocal Gazes: Portraits and Self-Portraits - Portraits on Paper: Drawings - Louveciennes/Louveciennes: "To Each His Own Sensation" - Still Lifes of the 1870s: A Classic Genre "Improperly" Painted - Building with Paint: Houses and Village Streets in Auvers-sur-Oise and Pontoise - A Turning Road: Experiments with Composition and the Palette Knife in 1875 - Separate Paths Through a Shared Landscape: The Late 1870s and the Third Impressionist Exhibition - Contrasts in Pure Colors: L'Estaque and Pontoise - A Backward Glance: Cézanne Reconsiders Pissarro's Early Work - Salut and Farewell: A Final Interaction Notes Bibliography Comparative Chronology Index Photograph Credits Lenders to the Exhibition Trustees of The Museum of Modern Art
NotesPrinted in Verona, Italy [ ... ] on 150 gsm Larius Matte
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