Mario Monicelli was an Italian film director and screenwriter and one of the masters of the Commedia all'Italiana (Comedy Italian style). He was nominated six times for an Oscar.
Monicelli made his first short in 1934, in collaboration with his friend Alberto Mondadori. He followed up this work with the silent film I ragazzi della Via Paal (an adaptation of the novel The Paul Street Boys), which was an award-winner in the Venice Film Festival. His first feature length work was made in 1937 (Pioggia d'estate, "Summer Rain"). From 1939–42, he produced up to 40 numerous screenplays, and worked as an assistant director.
Monicelli made his official debut as a director in 1949, with Totò cerca casa, along with Steno. From the very beginning of his career Monicelli's cinematic style had a remarkable flow to it. The duo produced eight successful movies in four years, including Guardie e ladri (1951) and Totò a colori (1952). From 1953 onwards Monicelli worked alone, without leaving his role as a writer of screenplays.
Monicelli's career includes some of the masterpieces of Italian cinema. In I soliti ignoti (Big Deal on Madonna Street) (1958), featuring the ubiquitous comedian Totò in a side role, he discovered the comical talent of Vittorio Gassman and Marcello Mastroianni and probably started the new genre of the modern commedia all'italiana.
While better known in the English-speaking world under the title Big Deal on Madonna Street, the actual translation from the Italian is "the usual unknown perpetrators" (closely resembling the famous line from Casablanca: "Round up the usual suspects"). The film was nominated for the Best Foreign Language Film at the 31st Academy Awards.
