| Artist | Anthony Fatato (as original artwork) |
| Associate Producer | Sam Black |
| Camera | Matt Balzarini (as assistant camera), Zena Barakat (as additional cinematographer), Charlie Beyer (as additional cinematographer / assistant camera), Ben Bloodwell (as additional cinematographer), René Crout (as assistant camera), Karim El Hakim (as additional cinematographer), Jillian Elizabeth (as assistant camera), Stephanie Johnes (as additional cinematographer), Tim Knight (as additional cinematographer), Don Lenzer (as additional cinematographer), Antonio Rossi (as additional cinematographer), JoJo Whilden (as still photographer) |
| Cinematographer | Maryse Alberti |
| Director | Alex Gibney |
| Editor | Brett Banks (as assistant editor), Dan Hacker (as assistant editor), Ken Sirulnick (as colorist / on-line editor), Anoosh Tertzakian (as assistant editor) |
| Executive Producer | Patricia Barnes Matthews, Dana O'Keefe |
| Film Editor | Alison Ellwood |
| Music | Max Richter, Rolf Peter Funke (as original score mixer), Max Richter (as original score mixer) |
| Producer | Alan Buchman (as producer: stage), Alison Ellwood, Alex Gibney, Alexandra Johnes, Kendall McCarthy (2) |
| Production | Brenda Bush Johannesen (as key hair stylist (as Brenda Bush) / key makeup artist (as Brenda Bush)), Edward Tasick (as visual effects artist), Robert Boothe (as key grip), Luis Colon (as gaffer), Scott Jansson (as grip/tech), Eric Kwak (as gaffer), Iris Ng (as gaffer), Kristine Nordella (as grip/tech), Mamdouh Al-Harthy (as additional research: Suadi Arabia), Richard Dworkin (as transcriber), Jacqueline Eckhouse (as production counsel), Kate Elson (as production coordinator), Mandy Fahmy (as production coordinator), Erin Finicane (as intern), Fred Heismeyer (as intern), Susan Johnson (2) (as additional archival research), Barbara Karen (as production accountant), Geoff Lake (as stage manager), Natasha Lunn (as additional archival research), Sheryl Mendez (as additional archival research), Gregory Mosher (as originally directed for the stage by), Nicholas Ray (2) (as intern), Robert Stein (as legal counsel), Carr Tekosky (as intern), Ezekiel Martinez (as intern (uncredited)), Sam Cullman (as thanks), Heidi Ewing (as thanks), Ray Frederick III (as thanks), Jenner Furst (as thanks), Rachel Grady (as thanks), Souad Mekhennet (as thanks), Emma Pinkerson (as thanks), Charlotte Rothschild (as thanks), Tori Saltz (as thanks), Susan Strange (as thanks) |
| Production Assistant | Marc Berliner, Barry Blaschke, William O'Marra |
| Production Designer | Amanda Ford (2), Garin Marschall |
| Production Manager | Alexandra Johnes (as post-production supervisor) |
| Self | Lawrence Wright |
| Sound | Travis Call (as audio post coordinator), Simon Dyer (as location sound), Matt Geldof (as location sound), Steve Giammaria (as sound editor), David Hocs (as location sound), Steve Osmon (as location sound), Ted Roth (as location sound), Tony Volante (as re-recording mixer) |
| Writer | Lawrence Wright (as (based on the play by)) |
| Links | https://www.imdb.com/title/tt1608182/ |
