| Audio | Dolby Digital 2.0, Dolby Digital 5.1 |
| Subtitles | English |
| Languages | English |
| Aspect Ratio | 1.85:1 (16:9) |
| Color | Color |
| Video Standard | PAL |
| Packaging | Keep case (Clear) |
| Classification | BBFC 15 |
| Barcode | 5027035010526 |
| Catalog Number | FCD884 |
| Matrix Layer 1 | A0102218054-B911 3000 1A00 |
| Matrix Layer 0 | A0102218054-A911 1000 1A00 |
| Mastering SID Code Layer 1 | IFPI LY27 |
| Mastering SID Code Layer 0 | IFPI LY25 |
| Mould SID Code | IFPI 946J |
| Copyright © | Arrow Video, Metro-Goldwyn-Mayer Studios Inc. |
| Design © | Metro-Goldwyn-Mayer Studios Inc. |
| Licensed From | Metro-Goldwyn-Mayer Studios Inc., Twentieth Century Fox Home Entertainment LLC |
| Licensed Through | Arrow Films |
| Licensed To | Park Circus Limited |
| Territory | United Kingdom |
| Notes | • High Definition Blu-ray (1080p) presentation of the film
• Original uncompressed Stereo 2.0 audio / 5.1 DTS-HD Master Audio
• Optional English SDH subtitles for the deaf and hard of hearing
• Audio commentary with director Philip Kaufman
• Discussing the Pod: A new panel conversation about Invasion of the Body Snatchers and invasion cinema featuring critic Kim Newman and filmmakers Ben Wheatley and Norman J. Warren
• Dissecting the Pod: A new interview with Kaufman biographer Annette Insdorf
• Writing the Pod: A new interview with Jack Seabrook, author of “Stealing through Time: On the Writings of Jack Finney” about Finney’s original novel ‘The Body Snatchers’
• Re-Visitors from Outer Space: Or, How I Learned to Stop Worrying and Love the Pod – a documentary on the making of the film featuring Philip Kaufman, Donald Sutherland, writer W.D. Richter and more
• The Man Behind the Scream: The Sound Effects Pod – a look at the film’s pioneering sound effects
• The Invasion Will Be Televised: The Cinematography Pod – cinematographer Michael Chapman (Taxi Driver, Raging Bull) discusses the look of and influences on the visual style of the film
• Practical Magic: The Special Effect Pod – A look at the creation of the special effects from the opening space sequence
• Original Theatrical Trailer
• Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh |
