The Queer Sixties

Acknowledgements Introduction PATRICIA JULIANA SMITH Part I The Iconographic Subcultural Text: Queer Pulp Fictions 1 Pulp Politics: Strategies of Vision in Pro-Lesbian Pulp Novels, 1955-1965 YVONNE KELLER 2 The Cultural Work of Sixties Gay Pulp Fiction DAVID BERGMAN Part II Ultimate Icon, Ultimate Iconoclast: Andy Warhol and Valerie Solanas 3 New York School's "Out": Andy Warhol Presents Dumb and Dumber KELLY CRESAP 4 The "Sweet Assassin" and the Performative Politics of SCUM Manifesto LAURA WINKIEL Part III Notes from Abroad: Queer Icons of Swinging London 5 A Perfectly Developed Playwright: Joe Orton and Homosexual Reform FRANCESCA COPPA 6 "You Don't Have to Say You Love Me": The Camp Masquerades of Dusty Springfield PATRICIA JULIANA SMITH 7 "Gives Us a Kiss": Queer Codes, Male Partnering, and the beatles ANN SHILLINGLAW Part IV California Dreaming: Los Angeles and Its Queer Denizens 8 "I am with You, Little Minority Sister": Isherwood's Queer Sixties JOSEPH BRISTOW 9 L.A. Women: Jim Morrison with John Rechy RICARDO L. ORTÍZ Part V Icons and Iconoclasts in the Mainstream 10 "(W)right in the Faultlines": The Problematic of Identity in William Wyler's The Children's Hour JENNIFER A. RICH 11 Liberalism, Libido, Liberation: Baldwin's Another Country WILLIAM A. COHEN 12 The Queer Frontier BLAKE ALLMENDINGER 13 Producing Identity: From The Boys in the Band to Gay Liberation WILLIAM SCROGGIE 14 Myra Breckinridge and the Pathology of Heterosexuality DOUGLAS EISNER Contributors